Showing posts with label Film. Show all posts
Showing posts with label Film. Show all posts
22 November 2011
29 November 2010
Tangled & theology
Last Friday while Anna, her Mom, and Serge went shopping, I took the kids to see Tangled.
Since I didn't find a lot of allurement in fairy tales as a child the story presented was new, except that as I watched the film I felt like I was watching a parable of the parables of scripture. Of course it's not a perfect parable. But the story arc of a beloved child, stolen away from her parents, the longing of her parents and searching for the child over the course of their life, is one that springs from the pages of scripture regarding God's passion for the fruit of his creation. If you're interested in a film that's fun, even overcoming Disney's syrupy music, that's a parable of God's redeeming love, go see Tangled.
Since I didn't find a lot of allurement in fairy tales as a child the story presented was new, except that as I watched the film I felt like I was watching a parable of the parables of scripture. Of course it's not a perfect parable. But the story arc of a beloved child, stolen away from her parents, the longing of her parents and searching for the child over the course of their life, is one that springs from the pages of scripture regarding God's passion for the fruit of his creation. If you're interested in a film that's fun, even overcoming Disney's syrupy music, that's a parable of God's redeeming love, go see Tangled.
25 February 2010
Percy Jackson and the Olympians
Monday the boys took me to see Percy Jackson and the Olympians; The Lightening Thief. They had seen it with Anna when it first came out and they thought I'd enjoy it. They are in the midst of Greek studies this year so it fits well with their schooling.
If you listen to National Public Radio you know that this film was critically dismissed. Their film critic expressed hopes right off the bat that there would be no sequel.
I came away from it thinking it a good film, something more than your run of the mill movie. As a movie, it had some funny highlights - nothing more funny than the famed Hollywood sign being the entryway into Hades. It had explosions and danger and graphics that were fine. I'm no judge of these things, I typically only notice these things when they are really bad.
What made it a film was the subtext. The subtext is about the relationship between children and absent parents. Percy is the son of Posidion, and his dad left his life when he was 7 months old because Zeus ordered that the gods should stay away from their human children. Since then Percy's mother has married a guy who doesn't work, treats her as 'woman' - little more than a slave, and disdains his step-son.
Along the way we're introduced to camp 'half-blood', the place for other kids like Percy - they are demi-gods, the children of the gods and humans. They are distanced from their parents, and that produces disappointment, unanswered questions, and in the lightening thief - anger and hatred. The film seeks to address this absent-parent syndrome.
Sitting in the theater I had a couple of thoughts running through my mind. I reflected about some of my friends, especially those in the military, who over the past several years have had major periods of an absent parent. Their parents, like the gods in greek mythology, carry much responsibility on their shoulders. This film could be very helpful to these young people wondering why mom or dad aren't around as much as they'd like. On the other hand, this film could give creedance to those parents who view themselves as "saviors of the world" and thus wind up ignoring their kids.
This is why the film, in the end, works well, it won't let the viewer have an easy scapegoat from responsibility for answering the complex questions of the task that is before a parent about how to best fulfill ones calling and love ones family.
The one place where the film projects clarity is in its depiction of the god Hades. Hades is used in two forms, both the place of the dead and the brother of Zeus and Posidion. Hades truly comes across as the chief deceiver, and the events which transpire in Hades, fit that form well - a place of deception.
In the end, I'm glad the boys took me along. It was a joy to be present with them, think about the funny things, the explosions and the themes of the sub-text.
If you listen to National Public Radio you know that this film was critically dismissed. Their film critic expressed hopes right off the bat that there would be no sequel.
I came away from it thinking it a good film, something more than your run of the mill movie. As a movie, it had some funny highlights - nothing more funny than the famed Hollywood sign being the entryway into Hades. It had explosions and danger and graphics that were fine. I'm no judge of these things, I typically only notice these things when they are really bad.
What made it a film was the subtext. The subtext is about the relationship between children and absent parents. Percy is the son of Posidion, and his dad left his life when he was 7 months old because Zeus ordered that the gods should stay away from their human children. Since then Percy's mother has married a guy who doesn't work, treats her as 'woman' - little more than a slave, and disdains his step-son.
Along the way we're introduced to camp 'half-blood', the place for other kids like Percy - they are demi-gods, the children of the gods and humans. They are distanced from their parents, and that produces disappointment, unanswered questions, and in the lightening thief - anger and hatred. The film seeks to address this absent-parent syndrome.
Sitting in the theater I had a couple of thoughts running through my mind. I reflected about some of my friends, especially those in the military, who over the past several years have had major periods of an absent parent. Their parents, like the gods in greek mythology, carry much responsibility on their shoulders. This film could be very helpful to these young people wondering why mom or dad aren't around as much as they'd like. On the other hand, this film could give creedance to those parents who view themselves as "saviors of the world" and thus wind up ignoring their kids.
This is why the film, in the end, works well, it won't let the viewer have an easy scapegoat from responsibility for answering the complex questions of the task that is before a parent about how to best fulfill ones calling and love ones family.
The one place where the film projects clarity is in its depiction of the god Hades. Hades is used in two forms, both the place of the dead and the brother of Zeus and Posidion. Hades truly comes across as the chief deceiver, and the events which transpire in Hades, fit that form well - a place of deception.
In the end, I'm glad the boys took me along. It was a joy to be present with them, think about the funny things, the explosions and the themes of the sub-text.
16 January 2010
The Blind Side
Last night Anna and I went to see The Blind Side. We found the film engaging and compelling. It's a motivating story.
What surprised us most about the experience wasn't the film itself, but the audience in the theater. The place was packed. For a film that came out in November, I couldn't believe it.
I asked an attendant if it's like that every night. Her reply - it is, every night, almost capacity.
Wow.
What's the difference between this film and a host of others?
Many others tend to tell stories of irrational pantheistic (gross) fantasy, this one reveals a story of realistic human compassion and theistic transformation. It's no wonder the early church rejected gnosticism - it's part of an ug(ly) fest(ival.) Christ in the flesh - that's real beauty.
30 October 2009
Luther - the film
Last night we showed the film "Luther" at CMFMC.
A very light crowd.
The film helps us imagine the events, costs and gains of Luther's Reformation. It also lets us reflect upon the current discussions many in our world are having today and the way in which faith, politics, a thirst for power and freedom mix to create a multi-layered milieu in which we live, move and seek to express God and our thirst for Him.
When the character of John Tetzel came on the screen with his sermons seeking indulgences a comment was made by a viewer - he sounds like current TV evangelists.
There are a number of wonderful lines in the film, that reflect the wit of Luther. Two lines I'd share. Luther speaking to his students in the university: "they've made me a doctor in the church and I could hold the notion that I've got something to say, but I'm reminded that the Lord used an ass to speak to a man before, and he may even now."
When Luther is wrestling with his temptations and the devil, his Augustinian spiritual father gives to him a cross and says, "Cry out to Christ, say, 'I am yours, save me."
A very light crowd.
The film helps us imagine the events, costs and gains of Luther's Reformation. It also lets us reflect upon the current discussions many in our world are having today and the way in which faith, politics, a thirst for power and freedom mix to create a multi-layered milieu in which we live, move and seek to express God and our thirst for Him.
When the character of John Tetzel came on the screen with his sermons seeking indulgences a comment was made by a viewer - he sounds like current TV evangelists.
There are a number of wonderful lines in the film, that reflect the wit of Luther. Two lines I'd share. Luther speaking to his students in the university: "they've made me a doctor in the church and I could hold the notion that I've got something to say, but I'm reminded that the Lord used an ass to speak to a man before, and he may even now."
When Luther is wrestling with his temptations and the devil, his Augustinian spiritual father gives to him a cross and says, "Cry out to Christ, say, 'I am yours, save me."
Subscribe to:
Posts (Atom)